experimental television center
een must see
donderdag 22 november 2007
Afterimage
Afterimage is een tijdschrift over mediakunst en cultuurkritiek.
Er bestaat ook een gedrukte versie (geluk voor de ogen)
dinsdag 20 november 2007
koenbroos.jpg)
koenbroos3_small.jpg)
crossmedia.nl
Nogal marketinggericht (geworden), maar als je op hoogte wil blijven van cutik, smscultuur, twitter en seesmic ... één adres crossmedialog
Ga ook naar de sites van de auteurs voor verdiepende informatie.
Ga ook naar de sites van de auteurs voor verdiepende informatie.
internet 2
Internet2 uses our meetings to showcase advanced networking video streaming technologies. Below are links to generally available streams, and streams that require high-performance networks. Please visit the downloads section before the event to test your network's streaming capabilities
Ga zeker ook eens naar mediaarchief via video on demand (gratis)
Dit bespaart me een hele uitleg.
zoekhulp voor crossmedia
Handig em interessant opgebouwd.
Doe de tour en je ziet wel waarom
internet for media and communication
art in context
Art in Context
Information About Artists and Where to Find Their Work
Art in Context Center for Communications is pleased to introduce the beta release of the library's new database and infrastructure powered by Carnegie Mellon University's Center for Arts Management and Technology. Enhancements significantly expand the presentation of catalogued data, increase member services, and provide broader public access to this freely accessible visual arts resource.
On the Web since 1995, the Art in Context web site assists over six million visitors annually, providing public access to information concerning artists around the world.
TAM ?
Welcome to The Alternative Museum (TAM)
The Alternative Museum furthers its 30-year mission by expanding its audience through the internet and by supporting the development of photography, web-based and digital art. Please note that this is an internet-based museum. There is no physical space to visit.
interaccess
Our mission is to expand the cultural space of technology.
Our unique combination of exhibition space and production facilities provides a public forum for the development and discussion of artistic practices involving interactivity, networked and remote connection, and the interface of the physical and the virtual. We reach out to our members and public through our diverse programming, including:
* Exhibitions
* Hands-on workshops
* Professional development workshops
* Panel discussions
* Artist talks
* Informal gatherings, a.k.a. Open Labs
* Axon, our weekly e-newsletter
Our programs support electronic art from conception and construction to exhibition and discussion. We explore the impact of technology on the social, political and cultural aspects of contemporary life and encourage audiences to see anew their relationships with interactive artworks
Lev Manovich mediaresearcher en prof
Zonder twijfel een van de meeest geciteerde Amerikaanse professoren, met een zeer uitgebreide webpagina.
citaat voor de schrijvers onder ons
James Baldwin
"When you're writing, you're trying to find out something which you don't know. The whole language of writing for me is finding out what you don't want to know, what you don't want to find out. But something forces you to anyway."
"When you're writing, you're trying to find out something which you don't know. The whole language of writing for me is finding out what you don't want to know, what you don't want to find out. But something forces you to anyway."
remix: theory
remix
Wat doen we hele dagen ? Is remix zo nieuw ? Wat komt er na de remix ?
Wat is het verschil met 'quotation', appropiation','recreation' ?
Hypertext 3.0: Critical Theory and New Media in an Era of Globalization
Ook recent geupdated en zeer interessant is dit boek van George P. Landow
Inhoud
George Landow's widely acclaimed Hypertext was the first book to bring together the worlds of literary theory and computer technology. Landow was one of the first scholars to explore the implications of giving readers instant, easy access to a virtual library of sources as well as unprecedented control of what and how they read. In hypermedia, Landow saw a strikingly literal embodiment of many major points of contemporary literary theory, particularly Derrida's idea of "de-centering" and Barthes's conception of the "readerly" versus "writerly" text. From Intermedia to Microcosm, Storyspace, and the World Wide Web, Landow offers specific information about the kinds of hypertext, different modes of linking, attitudes toward technology, and the proliferation of pornography and gambling on the Internet. For the third edition he includes new material on developing Internet-related technologies, considering in particular their increasingly global reach and the social and political implications of this trend as viewed from a postcolonial perspective. He also discusses blogs, interactive film, and the relation of hypermedia to games. Thoroughly expanded and updated, this pioneering work continues to be the "ur-text" of hypertext studies.
gepubliceerd 2006
JHU Press
Criticism
456 pagina's
ISBN 0801882567
Inhoud
George Landow's widely acclaimed Hypertext was the first book to bring together the worlds of literary theory and computer technology. Landow was one of the first scholars to explore the implications of giving readers instant, easy access to a virtual library of sources as well as unprecedented control of what and how they read. In hypermedia, Landow saw a strikingly literal embodiment of many major points of contemporary literary theory, particularly Derrida's idea of "de-centering" and Barthes's conception of the "readerly" versus "writerly" text. From Intermedia to Microcosm, Storyspace, and the World Wide Web, Landow offers specific information about the kinds of hypertext, different modes of linking, attitudes toward technology, and the proliferation of pornography and gambling on the Internet. For the third edition he includes new material on developing Internet-related technologies, considering in particular their increasingly global reach and the social and political implications of this trend as viewed from a postcolonial perspective. He also discusses blogs, interactive film, and the relation of hypermedia to games. Thoroughly expanded and updated, this pioneering work continues to be the "ur-text" of hypertext studies.
gepubliceerd 2006
JHU Press
Criticism
456 pagina's
ISBN 0801882567
Right about Now: Art and Theory since the 1990s
Right about now is vers van de pers en behandelt de evolutie in het denken over kunst sinds de jaren 90.
* an overview of the most significant developments, themes and thinking in art from 1990 until now
* offers critical ways to approach this recent art and to reflect upon it
What do you think of when you consider the art of the past fifteen years? Video art. Computers and the internet. Globalization. Nomadism. Itinerant curators and biennale artists. Installation and process art. Powerpoint presentations. The multicultural society. Design. Magazines. Fashion. Lounges. The DJ, VJ and house culture. Blockbuster exhibitions in art galleries. Social works of art and socially engaged artists. This great diversity of art has, however, generated virtually no theoretical reflection or historical contextualization.
The contrast with previous decades could scarcely be starker. In the 1960s artists and critics fell over each other to come up with names, complete with theory and genealogy, for each new trend. Pop Art, Op Art, Minimal Art, Conceptual Art - they all had to have their own story. In the 1990s it was mainly the art itself and the experience it provided that were key. And yet this 'art without theory' can, of course, be interpreted theoretically and put into a historical context. In Right about Now: Art and Theory since the 1990s an international group of renowned authors and newcomers in the field has accepted the challenge and endeavoured to bring together the art and theory of the recent past. Their thought-provoking contributions revolve around six topical themes: The Body, Interactivity, Engagement, Documentary Strategies, Money and Curating.
Right About Now: Art & Theory since the 1990s with essays by Jennifer Allen, Sophie Berrebi, Claire Bishop, Beatrice von Bismarck, Maaike Bleeker, Jeroen Boomgaard, Nicolas Bourriaud, Deborah Cherry, Hal Foster, VÃt Havránek, Marc Spiegler, Olav Velthuis and Kitty Zijlmans.
Right About Now: Art & Theory since the 1990s is published by Valiz, book and cultural projects, and is available in selected bookstores and during the book launch.
www.valiz.nl
Editors: Margriet Schavemaker, Mischa Rakier
Design: Esther Krop, Amsterdam
184 pages, 24 x 17 cm, paperback, English
In cooperation with UvA, W139, SMBA; supported by Prins Bernhard Cultuurfonds, Mondriaan Foundation
October 2007
ISBN 978-90-78088-17-2, NUR 646, 651, € 19,50M
CMI: een goede uitvalsbasis
The MIT Comparative Media Studies (CMS) program is committed to the art of thinking across media forms, theoretical domains, cultural contexts, and historical periods.
Deze site volg ik al jaren. Bijzonder eraan is dat ze cursusmateriaal openstelt voor iedereen.
een start
Bij wijze van start onze x-blog.
Het is een samenvatting van theoretische onderbouw, praktische voorbeelden, interessante links.
Hopelijk voelen jullie zich ook aangesproken om deze bij te vullen.
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